How important is Aboriginal culture?

The writers below agree that abuse of Aboriginal children is rife in Aboriginal communities and that protrecting the children concerned is difficult.  They write primarily to argue that  placing Aboriginal children in white foster homes is not the solution.  They give no reasoning for that however.  Instead their article is suffused with an assumption that Aboriginal children must be brought up amid Aboriginal culture.

But what is so good about Aboriginal culture? Is extensive alcohol abuse, brutal attacks by Aboriginal men on women and children and a widespread incapacity to be economically self-sufficient a good culture?  One would think not.

The plain truth is that Aboriginal culture is a failed culture.  It fails Aborigines by not giving them lessons they need to thrive in the modern world and instead gives them lessons in dependency and incompetence.

It is true that there are elements in Aboriginal culture which would be considered admirable by some whites:  Their emphasis on sharing with one another anything they have, for instance.  They are as near to a permanent Communist society as there is.

I think the main thing that talk of Aboriginal culture is about is the group feeling among Aborigines.  Aboriginals need to have other Aboriginals around all the time.  If you arrest an Aborigine and lock him in solitary confinement his distress will be so great that he will almost always use any means possible to commit suicide.

You see the same thing when an Aboriginal community concludes that one of their members has committed a grave offence.  They will"sing" the man to death.  It works every time because the "singing" tells the offender that he is rejected by that community and can no longer live among them.  He must go somewhere else alone. And he will rapidly die of despair at that prospect.

Let me add a personal anecdote to the two well-known generalizations above.  Some time ago, I was the proprietor of a large guest house in a lower socio-economic locality -- Ipswich.  Showing how "racist" I am, I used to accept accommodation requests from Aborigines and Maori.  In  many jurisdictions, acceptance of minority tenants has to be compelled by law but I did it voluntarily. Guest houses are not covered by landlord & tenant legislation in the State of Queensland.

One day a perfectly pleasant Aboriginal man came to the door and asked:  "Is Lenny home?".  Lenny was an older and much respected Aboriginal man who had lived there for some time.  Lenny was out so I told the visitor that.  The visitor then said:  "Are there any of my people there?".  He meant other Aborigines.  I told him no, as it happens.

So you see that ANY Aborigines would have met his need for company at that time. Aborigines CANNOT be alone for long.

So the "culture" concerned is the very strong "we" feeling among Aborigines.  That must not be disturbed.  Any attempt to disturb it threatens death.

So I think I see the Aboriginal side of the argument but I cannot agree that their culture is admirable or worth the cruelty that it includes.  If the children grow up in white families and miss out on that overwhelming "we" feeling, something may have been lost but the gain will be some of the individual independence that has enabled white people to be innovative, entrepreneurial and emotionally strong.  They will fit in better with a white environment and culture which has many faults but which will nonetheless serve them better.

I could say more about the unhappy state of Aborigines and why they have such problematic lifestyles but I think I should leave it there for today.  There are things to like in Aborigines but they are their own worst enemies


Recent comments by Federal Children’s Minister David Gillespie, that we need not hesitate to place ‘abused’ Aboriginal children into adoption arrangements with ‘white families’, have been widely reported in the media, prompting both outcry and support among Indigenous and non-Indigenous commentators.

Gillespie’s argument that we need not be concerned about creating another Stolen Generations is completely unsound. What has failed to rate a mention in the coverage of this issue is the fact that Aboriginal and Torres Strait Islander children are already placed in care with non-Indigenous families in large numbers.

Australia’s child protection systems are among the most risk-averse in the world. The state intervenes often into the realm of family to ensure the protection of Australia’s children, investigating 119,173 cases of suspected child abuse or neglect last financial year (2016-17).

More than 36% of all Australian children living in care are Aboriginal, and a sizeable proportion are being looked after by non-Indigenous carers. As one example, in Victoria a 2016 report by the Commission for Children and Young People stated that almost 50% of all Indigenous Australian children in care are looked after by non-Indigenous carers, many of whom lack cultural awareness training.

While placement in care may be necessary for children’s immediate safety, separation from family, community, country and culture places Indigenous children at risk of unstable and culturally inappropriate childrearing, cultural disconnection and subsequent social and emotional problems.

Recent findings from the Royal Commission into Institutional Responses to Child Sexual Abuse also highlight the fact that children are not always safe in care. Of the 257 survivors who shared their painful histories, 66% stated that they had been abused in home-based care with either a foster or kinship carer, while 37% said they had been abused in residential care.

Aboriginal and Torres Strait Islander children are being removed from their families at inordinate rates; Indigenous Australian children are nearly 10 times more likely to be removed from their families and placed in care than non-Indigenous children. This disproportionality is nothing less than a crisis. In fact, the Secretariat for National Aboriginal and Islander Child Care (SNAICC) expects that the population of Indigenous children in care will more than triple by 2036 if the increasing trend of overrepresentation is not stopped.

But Gillespie is right on one point; something must be done about Aboriginal children living in families where they have been harmed or where there are strong indications that they are likely to be harmed. We all feel the necessity and urgency of doing something transformative. But reductionist and simplistic solutions such as adoption by white families, no matter how well-intentioned, will not achieve the results we desire. Indeed, policies such as this are likely to make the situation worse.

Safeguarding Aboriginal children is full of complexity, uncertainty, dilemmas and tensions. The fact that people who care deeply about this issue cannot agree on a way forward demonstrates the difficulty of the challenge we face. Real and lasting change will only happen if change agents are willing to embrace and work in complexity.

Successful long-term strategies do not come from one individual, but emerge from the continuous, purposeful interaction among people. This means families, communities, professionals, researchers and policymakers must work together purposefully and with a clear vision of the future we want for Aboriginal families and communities in distress. This is to understand and change the deep causes of family and community dysfunction and the deficits in our systems for protecting children.

Three key principles need to guide us in this work. They are Aboriginal self-determination, prevention and early intervention (to avoid harm to children and prevent them from entering the child protection and care systems), and protection of the cultural rights of Aboriginal children already in care.

The latter can be achieved by upholding the Aboriginal Child Placement Principle (Aboriginal children placed with Aboriginal carers) and by:

ensuring that workers and carers are culturally competent;
that the fundamental importance of culture is better understood by workers placing children in care;

enhancing collaboration between Aboriginal Community Controlled Organisations and non-Indigenous agencies; and, ultimately, by acknowledging family as pertinent to the development of a strong cultural identity and connection to Indigenous heritage.

A national Commissioner for Aboriginal and Torres Strait Islander Children and Young People in care may provide appropriate monitoring, direction and oversight to improve culturally-responsive practice with Indigenous children in the future.

<a href="https://newmatilda.com/2018/03/20/need-concerned-creating-another-stolen-generations/">SOURCE</a>

Made In Indonesia: ‘Aboriginal Art’ Company Lands In Federal Court Over Alleged Misleading Conduct

I am one of those dreadful people who think most "art" is BS.  So I am rather amused by this. 



A whole lot of "art" is bought for things other than its appearance.  When a famous painting is shown to be a fake, its value drops to about 1% of what it was.  Yet the painting remains the same. Which shows that the previous buyers were buying the thing for the name on it, not its appearance. They bought it for essentially snobbish reasons.  They can't say they bought it "just because they liked the look of it".  If they really did like the look of it, they could just as well have bought a quality print. And it may be that they didn't like the look of it at all.

So in the case below many buyers would have been snobs who were deliberately ripped off.  They bought it for its origins, not its appearance. But I am not too sorry for them. They got what they saw. Those who bought it for its looks however, lost nothing. Its looks remain unchanged


With a highly distinctive ‘Aboriginal art’ style , you’ve probably seen Birubi products in tourist shops all over the country. Everything from ‘hand-made’ and ‘hand-painted’ boomerangs and didgeridoos, to bull roarers and even drink coasters.

And you probably thought Aboriginal artists were behind them.

Today, the Australian Competition and Consumer Commission (ACCC) has announced it’s launching Federal Court action against the company behind the brand – Birubi Art Pty Ltd (Birubi) – alleging it spent years making misleading claims about Aboriginal art.

Between July 2014 and November 2017, Birubi allegedly “contravened the Australian Consumer Law by making false or misleading representations that some of its products were made in Australia and/or that Aboriginal people had made or hand painted them, when in fact they were made in Indonesia”.

ACCC Commissioner Sarah Court said the products displayed a combination of words and artwork including ‘hand painted’, ‘handcrafted’, ‘Aboriginal Art’, and ‘Australia’.

“We allege that Birubi’s conduct is damaging as it is likely to mislead consumers into thinking they are buying genuine handmade Aboriginal art when they are not. This has the potential to undermine the integrity of Aboriginal art and negatively impact Indigenous artists, including by undervaluing their authentic works,” Commissioner Court said in a written statement.

“We allege that over 18,000 of these Birubi products were sold to retail shops in key tourist spots around the country.

“In the lead-up to the Commonwealth Games in Australia next month, with tens of thousands of tourists visiting Australia, this action by the ACCC is a timely reminder to traders to ensure that products they are selling as Indigenous cultural objects or art are authentic.”

The ACCC is seeking declarations, pecuniary penalties, injunctions, corrective notices, compliance program orders, and costs.

Ironically, Birubi claims to be a “proud licensed supplier of many items featuring the copyright Aboriginal Flag image designed by Mr Harold Thomas”.

The website adds: “So please, when purchasing Aboriginal flag items, ensure they are authentic licensed products….”

<a href="https://newmatilda.com/2018/03/22/made-indonesia-aboriginal-art-company-lands-federal-court-alleged-misleading-conduct/">SOURCE</a>

From the more obscure corners of Australia's Leftist media

A report on some recent emissions of Helen Razer, a mad Marxist with plaits and a figure



For much of the last decade, Helen Razer has been the staple diet of Crikey readers, a prolific author, and an occasional contributor to New Matilda.

But Australia’s most loved Marxist, and easily one of its best writers, is turning her attention back to the spoken word, with a new ‘occasional podcast’ that makes for highly entertaining listening on topics that generally make the average Australian’s eyes glaze over.

It also, as you might expect, features quite a few swear words.

Razer’s podcast opens thusly: “Welcome, this is an attempt to bring you a critique of the status quo in the FM breakfast radio style, hence the title Knackers and The Vadge.”

With the title – the most difficult bit – out of the way – Razer gets down to the hilariously serious business of skewering the things that bug her the most, in particular the evils of capitalism, and anyone who doesn’t agree with her about the evils of capitalism.

“My name is Helen Razer, it’s profoundly irrelevant, particularly in the present. I used to be a woman of modest prominence but am no longer, and I am tempted to do one or two of these new fangled podcast things, and surprisingly I find when I get onto a topic like the tendency of the rate of profit to fall, or the stupidity of Russiagate, or the false distinction between the so-called left and so-called right without anybody bothering to define those terms, that I go on and on and on.


Renowned Australian writer, Marxist and author, Helen Razer.
“What I lack is an authoritative male co-host to say ‘shut up Helen’. So what I’ve actually got here is a small bear called Knackers. I am The Vadge – refer to me as The Vadge from now on.”

In case you missed that, Razer is running a podcast with a ‘male host’ to keep her under control, who happens to be a stuffed animal. Only the Kyle and Jackie O show is remotely similar.

Razer then introduces her inaugural Knackers and The Vadge guest.

“Happily, after an afternoon of light to moderate drinking, I happen to be joined by my former flat-mate and a gentleman known to many Australians as Francis Leach, for his excellence in sports broadcasting, his musical snobbery, and his ongoing soft leftism that has been pleasuring the nation for many decades.”

Mr Leach obviously knows he’s in for a ride… and that’s precisely what he gets. The first episode of Knackers and The Vadge gives you the general flavor of where the podcast will head over time.

RAZER: Let’s talk about some personal shit shall we? Look, we’ve had a chandy or two. Okay. We’re talking largely out of our fundaments with little bits of ill-remembered history about the end of the Keynsian economic prescipriotns…

LEACH: John Maynard Keynes was a great man.

RAZER: Oh fuck off Francis.

LEACH: He was a great man.

RAZER: No! He was just somebody who wanted to save capitalism. And you and your soft leftie mates…

LEACH: Here we go. Let’s get down to it…

RAZER: You don’t believe that capitalism has internal contradictions which means that it’s a period of time that will inevitably end? I mean how many fucking lives does capitalism need to take? You look at conservative estimates like the world poverty foundation of annual deaths due to poverty (from capitalism)… the conservative estimate is 18 million a year. Any dictator, any economic regime that is not named capitalism that you can think of in the history of meaning, has not claimed as many lives as capitalism. We think about this time of over-abundance, where you get fucking molecular chefs talking about how they might be able to 3-D print an appetizer for our delectation and you’re telling me that we can’t get clean water?”

It gets even better from there… indeed Leach fights back quite admirably. All up, the best Australian political podcast going around.

So over to Razer and Leach… and Knackers and The Vadge, and we’ll keep you updated on episode two, when Razer next hits the piss.

<a href="https://newmatilda.com/2018/02/27/knackers-vadge-helen-razer-bursts-back-onto-airwaves/">SOURCE</a>